Nana

My son-in-law’s grandmother, known in the family as “Nana,” turned 100 this week. During World War 2, when the Hingham shipyard was desperate for workers, she dared a group of her friends to join her in applying for jobs there. They were all hired, trained as welders, and spent the next three years helping to build more than 200 ships for the North Atlantic fleet. On the occasion of her 100th birthday, ceremonies were held in her honor in a waterfront park, at the site of the former shipyard.

French Fisherman

Ansel Adams famously compared a photographic negative to a musical score, and a print to a performance of that score. You can find very different versions of some of his famous photos, printed at different times in his career.

The analogy holds for digital photography, even though the physical objects he was referencing have in many cases become virtual. Working in my digital darkroom is as much fun for me as going out and shooting new pictures, and lately I’ve been taking out some old scores and reinterpreting them, using techniques I’ve learned since the last time I played them.

This is a shot I took in 1975 on a trip to southern France. The original was a color slide, now pretty badly faded. But I still like it in black and white.